20. Dead Poets Society (1989): This movie really captured my fancy when it came out, as I could identify with prep-school students trying to discover their individuality in a cookie-cutter world and being guided on the way by a non-conformist teacher. However, the suicide of Neil Perry (Robert Sean Leonard), and Mr. Keating's (Robin Williams) ultimately being blamed for it, is a complete downer that negates most of the romance of the first three-quarters of the treatment, despite the small tribute that some of the boys pay to Keating at the end. (Favorite line: "Now, medicine, law, business, engineering -- these are all noble pursuits and necessary to sustain life. But poetry, beauty, romance, love -- these are what we stay alive for.")
21. This Is Spinal Tap (1983): I've loved This Is Spinal Tap ever since its first run in the theaters in 1983. I think a lot of aging rock stars felt, and continue to feel, just a tad uncomfortable with how close all the film's irony came to hitting the mark, but almost everyone can get a few good laughs out of it. (Favorite line: "The musical growth rate of this band cannot even be charted. They are treading water in a sea of retarded sexuality and bad poetry.") I also like the Mormon-themed take-off of Spinal Tap that Will Swenson did, 2004's Sons of Provo.
22. Groundhog Day (1993): A wonderful tale of redemption and making oneself worthy of the love of another, this movie traces Bill Murray's path from narcissistic misanthrope to suicidal depressive to all-around great guy. (Favorite line: "I really don't know. They've been hitting on me all night.")
23. The Pink Panther Strikes Again (1976): I remember thinking, when this film first came out, that it was too fantastic and over-the-top, but curiously it's now my favorite of the entire Pink Panther series. Peter Sellers as Chief Inspector Jacques Clouseau is one of the great comic characters of modern cinema, and he's funniest in this episode. (Favorite line: "I thought you said that your dug does not bat!" "That is not my dog.")
24. American Graffiti (1973): For my money, American Graffiti is still the best film George Lucas ever made, propelling Richard Dreyfuss, Ron Howard, Cindy Williams, et al., to stardom. It's a great document of the early-1960s cruising scene in central California and how much impact one night can have on the lives of an entire circle of friends. (Favorite line: "What a babe! What a bitchin' babe!")
25. Butch Cassidy and The Sundance Kid (1969): I'm not overly fond of this picture after the point where Butch, Sundance, and Etta arrive in Bolivia, but the first half of the film is priceless for its humor and, especially, the sequence where Butch and Sundance are being chased by a super-posse hired by the railroad. (Favorite line: "Think you used enough dynamite there, Butch?")
26. The Princess Bride (1987): I'm almost surprised that I like this movie as much as I do, given that it's more fairy-tale than action-adventure; I think it's the characters (and the actors who play them) that give it added life. (Favorite line: "You keep using that word. I do not think it means what you think it means.")
27. Dr. Strangelove, or How I Learned to Stop Worrying and Love the Bomb (1964): A nice send-up of Cold War tensions and the inherent absurdity of mutually assured destruction. I always get a kick out of the characters' names: General Buck Turgidson, President Merkin Muffley, General Jack D. Ripper, Soviet Premier Kissov, Major "King" Kong, Colonel Bat Guano, etc. (Favorite line: "I do not avoid women, but I do deny them my essence.")
28. Forrest Gump (1994): Forrest Gump was another film that fired my imagination when I first saw it, filling me momentarily with compassion for the human race and all its constituent members. Its basic question about our existence -- whether it has meaning independent of the moment or is a completely random notion -- obviously struck many other people equally hard, given the awards it won. (Favorite line: "Have you ever been on a real shrimp boat?" "No, but I've been on a real big boat.")
29. Rear Window (1954): My second-favorite Hitchcock picture after North By Northwest, this movie contains an amazing amount of action (and interaction) considering 99% of the story takes place either in L.B. Jeffries' (James Stewart) apartment or looking out its large back window. As others have noted, Grace Kelly looks simply stunning in her role as Jeffries' girlfriend Lisa Fremont. (Favorite line: "Nothing has caused the human race so much trouble as intelligence.")
30. Charade (1963): This movie is a mere frolic filled alternately with comedy and suspense, but it's notable for its sophisticated humor and romance, as well as its Paris setting. Cary Grant and Audrey Hepburn had great screen chemistry. (Favorite line: "Any morning now you could wake up dead.")
31. Jeremiah Johnson (1972): I guess I like this movie because I can identify with the twin notions of (a) wanting to get back to nature, and (b) wanting to be alone. I wouldn't have either the "proper wit" or the "adventurous spirit" required to be a mountain man, but the idea is sort of an appealing one nonetheless. (Favorite line: "The injuns put you here?" "'T'wern't Mormons!")
32. To Kill a Mockingbird (1962): The screenplay does a good job of wringing the essence of the story out of the novel. I now think that Gregory Peck was a little too "earnest" in his interpretation of Atticus Finch, but perhaps that was intentional; after all, the story is told in hindsight from his daughter's perspective, and she obviously remembers him as a serious person of few words but courageous actions. (Favorite line: "Not until Atticus agrees to play football for the Methodists!")
33. The Kids Are Alright (1979): Being a life-long fan of The Who, I couldn't help falling in love with this documentary, for which principal photography ended shortly before Keith Moon, the group's drummer, died of drug-related causes in late 1978. Jeff Stein, the director, did a great job of juxtaposing various stages of their career, in search of an artistic thread, and of intercutting footage shot specifically for the film. (Favorite line: "You can't write a ten-minute song! Rock songs are two minutes fifty, by tradition!")
34. The Commitments (1991): Another movie laced with f-bombs, but funny as the dickens. This film is notable for the fact that Alan Parker took young Irish musicians/singers and taught them to be passable actors, instead of the reverse. The soul band giving the picture its name is Ireland in microcosm: full of promise but torn apart by internal strife. (Favorite line: "There's a band around called 'Free Beer' -- they always pull a big crowd.")
35. Ferris Bueller's Day Off (1987): Even after twenty years, this film seems fresh and up-to-date, pitting impossibly boring high-school teachers and administrators against impossibly bored high-school students. (Favorite line: "Oh, he's very popular, Ed. The sportos, motorheads, geeks, sluts, bloods, wastoids, dweebies, dickheads -- they all adore him. They think he's a righteous dude.")
36. Animal House (1978): Dirty, dirty, dirty, but funny, funny, funny. The perfect college spoof, this flick has every larger-than-life stereotype imaginable in it. I remember I felt guilty when one of my brothers took me to see it two weeks before I started my church mission, but I felt a little better when the most "spiritchal" elder in my MTC district confessed to me in a candid moment that he'd seen it eight times. (Favorite line: "But that doesn't relieve you from your responsibility for this material...I'm waiting for reports from some of you. I'm not joking! This is my job!")
37. The Trouble With Angels (1966): This movie was a childhood favorite of mine; I guess I've always been a sucker for films set in boarding schools! It provided Dorine and me with a name for the first daughter we had together -- Devery, the last name of Mary Clancy's (Hayley Mills) sidekick Rachel (June Harding). (Favorite line: "Cloister Tours will show you that mystery of mysteries: where Mother Superior sleeps!")
38. Ocean's Eleven (2001): Full of improbabilities and even impossibilities (e.g., the idea that one underground vault could connect the Bellagio, the Mirage, and the MGM Grand in Las Vegas), this picture is still filled with fun, intrigue, and cool, interesting characters. (Favorite line: "I hope you were the groom.")
39. Amadeus (1984): One of the best period pieces ever made -- even if it's full of historical inaccuracies -- Amadeus is made special by F. Murray Abraham's astounding performance as Antonio Salieri. (Favorite line: "Aw, shut up! I'm sick to death of that tune!")
40. Hasta el viento tiene miedo (1968): This movie is a cheesy Mexican horror film, but it's loads of fun and pretty scary, too (at least I found it so when I first saw it in a theater-style setting at BYU in 1981). The fact that it has a totally gratuitous striptease scene (heck, what else would upper-crust Mexican girls do to entertain each other in a strict boarding school?) makes it clear what kind of audience the movie was aimed at, but, weirdly, it all works. (Favorite line: “¿No sería bueno preguntarle a Fibia? Ella sabe interpretar los sueños – ha leído a Freud.” “¡Por eso es tan loca! ¡A mí me dijo que yo tenía una frustración sexual!” “¿Y no?” “¡Mensa!”)
41. Mrs. Doubtfire (1993): Robin Williams at his best. It's a stretch to think that his wife and kids wouldn't recognize him and his voice despite the cross-dressing disguise and "muddled" English accent, but if anyone is capable of suspending our disbelief, it's Williams. (Favorite line: "If I find the misogynistic bastard that invented heels, I'll kill him.")
42. Blazing Saddles (1974): Sophomoric but satisfying, this comedy does precisely what it was intended to do -- skewer the traditional movie western through the heart. (Favorite line: "'S'cuse me while I whip this out!")
43. Casablanca (1942): Atypical of the standard studio fare of the time, this film is both smart and unflinching in its treatment of complex matters of the heart. Who, having watched this film even one time, can forget characters like Rick, Ilsa, Laszlo, Renault, Sam the piano man, Major Strasse, Karl, et al.? (Favorite line: "How extravagant you are, throwing away women like that. Someday they may be scarce!")
44. Citizen Kane (1941): No true movie aficionado's list of favorite films would be complete without a mention of Citizen Kane, a piece that broke ground in so many ways that one cannot count them all. And, of course, what's truly astounding is that Orson Welles was a complete novice at making movies when the RKO studio gave him carte blanche to make this one. (Favorite line: "I have a hunch it might turn out to be something pretty important -- a document, like the Declaration of Independence and the Constitution...and my first report card at school.")
45. JFK (1991): Bad history but great art, this film represents Oliver Stone at the height of his creativity. (And boy oh boy, does he get creative -- he's got about nine or ten internally inconsistent and mutually exclusive conspiracy theories going on at one time in this movie!) (Favorite line: "I find your story simply not believable." "Really? What part?")
46. Caddyshack (1980): The prototypical "snobs vs. slobs" comedy, this film has a number of memorable tableaux, and Rodney Dangerfield, playing a nouveau-riche and extremely gauche contractor, completely steals the show. (Favorite line: "I've sentenced boys younger than you to the gas chamber -- I didn't want to do it, but felt I owed it to them.")
47. It's a Wonderful Life (1946): I can certainly identify with James Stewart's character in this movie, the smart guy who, due to inbred generosity and selflessness, fails to fulfill his talents and dreams and then is left wondering what it was all for. "No man is a failure who has friends" -- words to live by, I guess. (Favorite line: "And I'm gonna have a couple of harems, and maybe three or four wives.")
48. Die Hard (1988): This film is the gold standard of action-adventure movies, even if various references in the script, as well as certain elements of the art direction, will always date it to the late 80s. I love the me-and-my-wits-against-a-group-of-major-baddies premise, the high-rise setting, and Bruce Willis's take on a NYC cop caught up in an international conspiracy to commit high-dollar robbery in LA. (Favorite line: "Actually, I was always partial to Roy Rogers. I really dug those sequined shirts.")
49. Dr. Zhivago (1965): This movie is somewhat depressing in that it leaves all the major characters dead, unhappy, or unfulfilled (or, in the case of Rod Steiger's evil Victor Komorovsky, unimpeded), but it is a wonderful work of art nonetheless. It is best understood as both a history and an indictment of the Russian Revolution of 1917 and the conditions that provoked it. (Favorite line: "Good marriages are made in heaven, or some such place.")
50. The Wizard of Oz (1939): I can remember the days when this movie came on network TV precisely one Sunday evening every year, usually during church. To millions of American kids, it was every bit as big an event as the Super Bowl has become since that time; even today, the film stands out in the crowd of family-friendly movies. (Favorite line: I could while away the hours, conferrin' with the flowers, consultin' with the rain/And my head I'd be scratchin', while my thoughts were busy hatchin', if I only had a brain.)